I make streaming look and sound better — for less.

Streaming changed the deal for creatives. A show is finished once, on deadline, in a calibrated room. Then it plays on screens no one can predict: a phone on a train, a laptop in a shared office, a living room nobody calibrated. No team can check them all, let alone tailor the work to each one.

My work starts where the mastering room ends. I build the automation that carries creative intent the rest of the way: it catches problems before any viewer does and, further upstream, gives studios new versions of their work for those moments, like a dialogue-clarity mix, with the creatives setting every parameter.